In this article for the Performing the Internet series, Miller Puckette and Onyx Ashanti get together for a conversation about the changing landscape of multimedia technology in the arts, how technologically mediated performance practices have taken on new relevance in the post-COVID era, and more.

HowlRound’s cultural strategist, Vijay Mathew, offers a part two to his guide on how to produce a livestream, this time focusing on the commons-based OBS Studio.

Barbara Fuchs and Elena Araoz share information about their new projects that attempt to make sense of the transformations to the theatre field and put a call out for artists to help chart these transformations.

Charles M Pepiton discusses professional theatre’s commercial roots, how mission statements of non-profits today focus on social engagement, community-based development, and more.

HowlRound Director Jamie Gahlon reflects on 2018 and looks forward to 2019.

Rachel Grossman and Kirk Lynn announce the JUBILEE, a year-long nationwide festival in 2020/20201 that asks companies to commit to producing a season of work by artists who have been traditionally excluded from the American theatre.

Alexis Frasz and Holly Sidford of Helicon Collaborative share the case study they wrote on HowlRound. Alexis and Holly believe HowlRound’s story is particularly resonant for this moment in time, and has potential to influence thinking and shift practice in the theatre sector and beyond. This essay shares a few thoughts on why they think HowlRound’s story matters in today’s political and economic context.