We're looking for content by and for theatremakers that intersects theatre with...
- Anti-oppression practices that promote anti-racism, equity, inclusivity, and accessibility for underrepresented and marginalized theatremakers and theatremaking communities
- The climate emergency
- Theatre commoning (Resources managed and produced with generosity and abundance, community and collaboration)
- Ideas that challenge and revolutionize the status quo
- Lesser-known or marginalized aesthetics, and new forms of making theatre
- Geographically specific theatre processes and issues that are relatable and informative to others around the world
Ways to Contribute
- Write for the Journal
- Curate a Series
- Livestream an Event
- Produce a Podcast
- Host a Twitter Chat
- Contribute Something Else
- Read Our Comments Policy
We are a knowledge commons that's produced by and for you! We're looking for contributors who are deeply invested in and committed to the theatre field. You could be a current student or a seasoned professional, but if you're actively involved in theatre, we'll be thrilled to hear from you.
HowlRound regularly publishes weeklong series on specific topics. Curating a series is a big commitment that usually requires at least three to four months of work. If you are interested in curating a series, we recommend that you write a stand-alone essay first to understand our editorial process before serving as a curator. We pay curators $300 USD once the series is running, and we pay contributors at the standard rate. Learn more about the requirements and parameters for curators.
We do not publish personal attacks, promotional material, or material that has been previously published.
Our team of editors work with all writers to edit pieces for style and content.
We pay an honorarium of $200 USD per essay. We believe in paying artists for their time. We also acknowledge that many folks cannot afford to volunteer their perspectives and experience to benefit the overall theatre community, so we fundraise to compensate theatremakers for the time it entails to write this essay contribution to the commons.
Most of the essays we publish are single-authored pieces on a broad topic, but not all.
- If you’re interested in conducting an interview or creating a piece in dialogue with other theatremakers, check out these interview guidelines and best practices.
- If you’re interested in writing an analysis of a specific show, going beyond a traditional “thumbs-up, thumbs-down” review, check out these NewCrit guidelines and best practices.
HowlRound TV’s arts, culture, and theatre programming is entirely produced by the global community that it serves. We livestream field-facing discussions, panels, and artistic programming that further our stated values. As part of this process, we provide in-depth technical support and training, we help to get the word out about your event in advance through our communications channels, and we video archive the event for on-demand viewing moving forward.
While the majority of our livestreams are produced with organizations who put their own institutional resources toward compensating participants for their time, we do have a limited pool of funds to provide honoraria to support events produced by independent artists who do not have institutional backing.
Do you have a technical / producing question that isn’t answered in this series of guides on livestreaming? Contact email@example.com for more information.
Interested in podcasts? We welcome pitches for original series or stand-alone episodes to be published on HowlRound. If you have an idea for a theme or topic you want to explore, or people you want to interview, get in touch!
Unlike journal articles, which we edit in-house, we don’t have the resources to help with podcast recording or editing. While we’re happy to share as much information as we can about the tech side of podcast producing, as the producer, you would have full responsibility for the content and quality. For each episode, you would send us a final audio file, which we would transcribe so the content is fully accessible and then distribute to our channels.
Like with essays, we pay an honorarium of $200 for each episode, knowing that many people are not able to volunteer their perspectives and experience to make this contribution to the commons.
We have hosted hundreds of conversations on Twitter via #howlround and, previously, via #newplay. Moderators and topics come from the worldwide theatre community. Upcoming chats are announced as events, and can be joined simply by tweeting with #howlround during the hour-long chats. We pay twitter chat hosts $50 USD to acknowledge their time and facilitation.
Want to propose something that isn't on this list? Go ahead—we love new ideas!
The HowlRound Journal is a place for productive discourse, healthy debate, and shared learning. We love to see comments that add to the conversation, share knowledge and experience, and create connections among our community of commoners in the global theatre field—what we call “positive inquiry.” While we welcome institutional critique, the HowlRound Journal is not a place for personal insults or off-topic conversation, nor a space to adjudicate interpersonal dynamics or relationships. We ask that you show up as yourself in these comments—fake identities/profiles will not be tolerated.
We know some pieces will inspire disagreement, and that’s great! We welcome spirited, thoughtful, and on-topic dialogue—comments that focus on the debate, not the person. We trust our community to abide by these agreements when engaging with each other. All comments on this site are moderated by humans (the HowlRound staff behind the screens) and we will delete comments that we feel conflict with these standards.
If you have concerns or questions about content on HowlRound or if you spot an error, email us at firstname.lastname@example.org and we will get back to you as soon as we can.